The first Rhythm Changes Conference will take place in September 2011 and will be hosted in partnership with the Conservatory of Amsterdam. The three-day Conference will explore the theme of ‘Jazz and National Identities’ and will include presentations from an international line up of jazz researchers.
The Conference will open with a welcome reception and double-concert in the legendary Bimhuis, Thursday September 1.
The concert opens with Tin Men and the Telephone, one of the hippest, hottest bands out of the Conservatory of Amsterdam.
It continues with the top-notch Dutch improv quartet MOORE/JANSSEN/GLERUM/JANSSEN/VAN GEEL – with Michael Moore (reeds), Oene van Geel (viola), Guus Janssen (piano), Ernst Glerum (bass), and Wim Janssen (drums).
Professor Bruce Johnson (Universities of Macquarie, Turku and Glasgow)
Professor Ronald Radano (University of Wisconsin-Madison)
Throughout its history, jazz has played an important part in discourses about national identity, politics and cultural value; indeed, the music continues to play a complex role in the cultural life of nations worldwide. Within this context, jazz is an ideal cultural form from which to explore a number of critical questions bound up with national identity, from the development of national sounds and ensembles to the politics of migration and race, from the impact of globalisation and the hybridisation of musical styles to the creation of social institutions and distinct communities, from jazz’s shifting aesthetic status from popular to canonical “art” music.
Jazz has developed in a range of national settings through different influences and interactions, so is ideally placed to explore wider issues surrounding identity and inheritance, enabling unique perspectives on how culture is exchanged, adopted and transformed.
Nicholas Gebhardt (University of Lancaster)
George McKay (University of Salford)
Walter van de Leur (Conservatory of Amsterdam and University of Amsterdam)
Loes Rusch (University of Amsterdam)
Tony Whyton (University of Salford)