Project bibliography

Jazz, Europe and Cultural Identity

ATKINS, E.T., Jazz Planet (Mississippi: University Press of Mississippi, 2003)

CAMBPELL, N., DAVIES, J., McKAY, G. (eds.), Issues in Americanisation and Culture (Edinburgh: Edinburgh University Press, 2004)

DVINGE, A., Between History and Hearsay: Imagining Jazz at the Turn of the 21st Century (Copenhagen: University of Copenhagen, 2007 [PhD])

FISCHLIN, D. and HEBLE, A. (eds.), The Other Side of Nowhere: jazz improvisation and communities in dialogue (Middletown CT: Wesleyan University Press, 2004)

FROST FADNES, P., Improvisational Architecture (Leeds: University of Leeds, 2004A?[PhD])

GEBHARDT, N., Going for Jazz: Musical Practices and American Ideology (Chicago: University of Chicago Press, 2001)

HALL, S. and du GAY, P. (eds.), Questions of Cultural Identity (London: Sage, 2000)

HEFFLEY, M., Northern Sun, Southern Moon: Europe’s Reinvention of Jazz (New Haven: Yale University Press, 2005)

MAY, L. (ed.), Recasting America: Cultural Politics in the Age of the Cold War (Chicago and London: University of Chicago Press, 1989)

McKAY, G., Circular Breathing: The Cultural politics of Jazz in Britain (Durham and London: Duke University Press, 2004)

NICHOLSON, S., Is Jazz Dead? Or has it moved to a new address (New York: Routledge, 2004)

RAPHAEL-HERNANDEZ, H. (ed.), Blackening Europe: The African American Presence (New York and London: Routledge, 2004)

SHIPTON, A., A New History of Jazz (New York and London: Continuum, 2007)

WHYTON, T., Jazz Icons: Heroes, Myths and the Jazz Tradition (Cambridge: CUP,A?2010)

National Studies

Jazz in Britain

BAILEY, D., Improvisation: its nature and practice in music (London: British Library Sound Archive, 1992)

BOULTON, D., Jazz in Britain (London: W.H. Allen, 1958).

CARR, I., Music Outside: Contemporary Jazz in Britain (London: Northway Publications [2nd edition], 2007).

CHILTON, J., Who’s Who of British Jazz (London and New York: Continuum [2nd Edition], 2004)

COLLIER, G., Inside Jazz (London: Quartet Books, 1973)

FAIRWEATHER, D., Notes from a Jazz Life (London: Northway Publications, 2002)

FRITH, S., “Is Jazz Popular Music?” Jazz Research Journal 1.1 (2007), pp. 7-23

GEBHARDT, N., Going for Jazz: Musical Practices and American Ideology (Chicago and London: University of Chicago Press, 2001)

GODBOLT, J., A History of Jazz in Britain, 1919-1950 (London: Paladin Books, 1986)

GODBOLT, J., A History of Jazz in Britain 1950-1970 (London: Quartet Books, 1989)

GODDARD, C., Jazz Away From Home (New York and London: Paddington Press, 1979)

HADDON, E., Making Music in Britain: interviews with those behind the notesA? (Aldershot: Ashgate, 2006)

HEINING, D., Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960-1975 (Sheffield: Equinox, 2012)

HOBSBAWM, E., Uncommon People: Resistance, Rebellion and Jazz (London: Weidenfeld & Nicolson, 1998)

JACKSON, B., Working Class Community (Harmondsworth: Penguin, 1972)

MACCAULY, M. and DENNIS, N., “The Parallax of Art and Commerce: UK Jazz Musicians on Marketing”, Jazz Research Journal 2.1 (2008), pp. 225-238

MACDONALD, R. and WILSON, G., “Musical identities of professional jazz musicians: a focus group investigation” Psychology of Music 33.4 (2005), pp. 395-417

MCKAY, G., Circular Breathing: The Cultural Politics of Jazz in Britain (Durham and London: Duke University Press, 2005)

MOORE, H., Inside British Jazz: Crossing Borders of Race, Nation and Class (Aldershot: Ashgate, 2007)

NEWTON, F. [HOBSBAWM, Eric], The Jazz Scene (Harmondsworth: Penguin, 1961)

PARSONAGE, C., The Evolution of Jazz in Britain 1880-1935 (Aldershot: Ashgate, 2005)

PARSONAGE, C., “A Critical Reassessment of the Reception of Early Jazz in Britain” Popular Music 22.3 (2003), pp. 315a??36

RILEY, M. and Laing, D., The Value of Jazz in Britain (London: Jazz Services, 2006)

RILEY, M. and Laing, D., Jazz in the Media: A Comparative review of Media Coverage of Jazz, Classical and World Music (London: Jazz Services Ltd, 2009)

SCOTT, D. B., “Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s” The Musical Quarterly 78.2 (1994), pp. 290-315

SCOTT, R., and Hennessey, M., Some of My Best Friends are Blue (London: Northway Publications, 2004)

SHIPTON, A., Out of the Long Dark: The Life of Ian Carr (London: Equinox, 2006)

WHYTON, Tony, “Birth of the School: Discursive Methodologies in Jazz Education” Music Education Research 8.2 (2006), pp.65a??82.

WICKES, J., Innovations in British Jazz 1960-1980 (London: Soundworld, 1999)

Jazz in The Netherlands

RUSCH, L., Jazzpracticum: Over de Institutionalisering van Jazzonderwijs in Nederland (Amsterdam: University of Amsterdam, 2007 [MA])

RUSCH, L., “Common Ground: 1970s Improvised Music as Part of a Cross-genre Dutch Ensemble Culture.” Jazz Research Journal 5 1.2 (2011), pp. 123-141.

RUSCH, L., “Jazz in the Netherlands, 1919-2012: Historical Outlines of the Development of a Social and Musical Praxis” Jazzforschung/ Jazz Research 44(2012), pp. 27-52.

VAN DE LEUR, W. “‘Zuivere Jazz’ and ‘Charlatanisme’: De Jazzwereld 1931-1940.” Liber Plurium Vocum voor Rokus de Groot. Amsterdam: Amsterdam University Press, 2012; 128-38.

VAN DE LEUR, W. “‘Pure Jazz’ and ‘Charlatanry’: A History of De Jazzwereld Magazine, 1931-1940.” Dan Morgenstern Festschrift. Current Research in Jazz ( Vol. 4 (2012).

VAN DE LEUR, W. “Cliché machines versus Improvisatoren: Jazzwereld 1967-1973.” Jazz Bulletin 82 (March 2012): 30-37.

VAN DE LEUR, W. Jazz behind the dikes: Vijfentachtig jaar schrijven over jazz in Nederland. Oratiereeks Amsterdam University Press, 2009.